I'm writing a movie about Mozart going to New York in the '60s. I've been reading so many novels.
It would be a stronger world, a stronger, loving world, to die in.
I want to get lean and mean, keep it minimalist.
I like what the future holds. I don't like thinking about the past.
We gave up on the idea of trying to make the record a good representation of the live performance.
When somebody grabs a movement, you're kind of locked into it. It's all par for the course.