What stands most explicitly as critique in Nietzsche's late work in not a development from earlier interests but a return to two problems of enduring personal involvement for him, those of Wagner and of Christianity. Der Antichrist , to take one case, is not a response to a resuscitating public interest in Christian religion; it is primarily a renewed attempt to resolve for himself the question of piety.

The attachment to a rationalistic, teleological notion of progress indicates the absence of true progress; he whose life does not unfold satisfyingly under its own momentum is driven to moralize it, to set up goals and rationalize their achievement as progress.

The enemies of Christ ... could not bear his independence; his "Give the emperor that which is the emperor's" showed a contempt for the affairs of state and its politics for the moral order that their self-respect would not let them tolerate.

Life is more than thought: what a man feels, and what his senses awaken in him, are more indispensable to his life's fullness than subsequent reflection on their significance. Both Stirner and Nietzsche have elaborated Faust's opening speech in which he bemoans his wasted years in academia: this speech is Goethe's own impeachment of Kant and Hegel . Philosophy proceeds always under the risk of making a fetish of thinking.

Man is more than an animal only in that he finds expression for the beautiful.

Nietzsche ... combines, in effect, Christ's harsh sayings: 'let the dead bury their dead' and 'narrow is the way which leadeth unto life'.

Man at his best is a system-breaker, an iconoclast seeking not only variety, but destruction.