You can play a shoestring if you're sincere.

Invest yourself in everything you do. There's fun in being serious.

Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way--through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show me the answers just by playing them. I could watch him play and find out the things I wanted to know. Also, I could see a lot of things that I didn't know about at all.

Considering the great heritage in music that we have - the work of the giants of the past, the present, and the promise of those who are to come - I feel that we have every reason to face the future optimistically.

There is never any end... There are always new sounds to imagine; new feelings to get at. And always, there is the need to keep purifying these feelings and sounds so that we can really see what we've discovered in its pure state.

All of the technique doesn't matter... only if the feeling is right.

Starting in the middle of a musical sentence and moving in both directions at once.