As a student at the time, I kind of felt like my only options as a nonfiction writer were to either jump on the personal essay bus or linger back at the station, hoping that some other heretofore unknown mode of transportation was going to magically show up to take me where I wanted to go.

I'm not a poet, but I was in the poetry program. And I'm also not much of a nonfiction writer, at least not in the standard sense of nonfiction, nor especially in the way we were thinking about nonfiction back then, in the late 90s.

I think that in a lot of readers' minds the essay is a lot more utilitarian than it is art.

I never really understood the idea that nonfiction ought to be this dispensary of data that we have at the moment. Also, roughly around the time we were doing this fact-checking. And I never really understood why people think what nonfiction's job is to give them information as opposed to something else.

What I didn't realize when I was in school and what I suspect a lot of young writers today don't get either is that you have to create the world that you want to exist in as an artist.

A risk is something that feels risky to the person who's taking it.

We approach nonfiction at a much different level than we approach fiction or poetry or drama: that there's almost no room for metaphor. We expect the "I" in any nonfiction text to be an autobiographical "I" when there is a history in the essay of the "I" being a persona.