My family, before the divorce, moved several times, and after that we moved a whole bunch more times, and so I don't have an anchor to a single place. Probably as a result of that, I'm a little more attenuated to when people do feel close identification to place, whether they say it out aloud or not. I think that there's a sort of local patriotism that is deeper than national patriotism.

I crave music that'll sort of hurtle me into space and release me up there.

While writing is a mystical process, it's also work. If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.

I think taking too long to work on a record you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour and I write and I write. And I send them to the guys, and we start planning our studio ventures.

Take dance music: I like enough of it and its history to be able to say a word or two about this or that record, but I'm nobody's authority.

People always talk about good time rock and roll, Chuck Berry or whatever, like this liberating force for feeling good. But what I need in my life is to be liberated into feeling bad. Not sad. I have plenty of sad. What I need is a place where I can spray anger in sparks like a gnarled piece of electrical cable. Just be mad at stuff and soak in the helplessness.

People talk about songwriting or comedy as creative expression, but life is creative expression. Table-making, even nursing, is extraordinarily creative.