I can talk about feelings, but I can't talk about why this chord on top of this chord sounds cool to me. It just makes me feel a certain way, and I like it.

I can talk about feelings, but I can't talk about why this chord on top of this chord sounds cool to me. It just makes me feel a certain way, and I like it.

There's something bigger than improvised music versus pop music versus something else. What actually succeeds in being communicated are human feelings, things that people can latch onto and say, "Yeah, I feel like that sometimes." It can be inspiring or it can be something that keeps you sane when you're not feeling well.

Some of my favorite music is incredibly repetitive, or on the surface has an element of repetition. But once you go beneath the surface, you realize in the repetition is constant variation.

When I dream about music, or think about music, by myself, I try to be as free as possible and allow my creative mind full reign.

That's just the way people's brains work. If you want to talk about something, you have to reduce it to a form that can be understood. That's one of the reasons I'm not good about boiling down music.

I think I know what my bandmates like or are interested in or would be interested in doing. I take ideas and I develop them, get rid of some ideas, keep writing, and then new things come up.