That's just the way people's brains work. If you want to talk about something, you have to reduce it to a form that can be understood. That's one of the reasons I'm not good about boiling down music.

I'm pretty resigned to the fact that I never hear music the way anyone else does, and I no longer find it surprising.

There's something bigger than improvised music versus pop music versus something else. What actually succeeds in being communicated are human feelings, things that people can latch onto and say, "Yeah, I feel like that sometimes." It can be inspiring or it can be something that keeps you sane when you're not feeling well.

For me, the voice expresses things that there are just no other ways to express.

When I joined the band I was coming largely from an improvising background, and the idea of a fluid rhythm that was really coherent attracted me.

When I dream about music, or think about music, by myself, I try to be as free as possible and allow my creative mind full reign.

Some of my favorite music is incredibly repetitive, or on the surface has an element of repetition. But once you go beneath the surface, you realize in the repetition is constant variation.