I really try towork with an artist who is trying to create a long legacy of quality rather than trying to jump aboard a trend.

When I was really young, I gravitated towards the visual arts first. I feel that's what comes most naturally to me. I've always had an immediate proclivity towards making visual art and I was a really tactile kid.

The important thing isn't that your technically great, I think it's the power of your expression.

I tend to over extend myself without really thinking throughthe realities of completing so many projects in a year, which generally means I'm going to be a little bit behind. I suppose that's the nature of the beast.

Not everybody is going to love what you do, but you have to be yourself, that's what's most important. Bring it as hard as you can.

In fact, many musicians are the happiest when the artist and audience re-interpret or re-imagine the content of the songs.

It's my intention to make something stand outside the realm of album art, but it also feels comfortable to me to be in it. It's tricky and definitely a requires striking a delicate balance.