The important thing isn't that your technically great, I think it's the power of your expression.

The important thing isn't that your technically great, I think it's the power of your expression.

I really try towork with an artist who is trying to create a long legacy of quality rather than trying to jump aboard a trend.

Give your stuff away and if it's good, people will come to you.

When I was really young, I gravitated towards the visual arts first. I feel that's what comes most naturally to me. I've always had an immediate proclivity towards making visual art and I was a really tactile kid.

If what you want to do is make artwork for bands, you have to love doing it because there is almost no money in it. In order to start doing it, you just have to put yourself out there, work for bands you love and for as little as possible to start, if not free, that's what I did for years.

If I'm in the business of making artwork that is designed on some level to sell a product, then I have to be very comfortable with the people I'm working with and I'd like to be proud of the end result regardless of its sale-ability.