I'm very hard-nosed and cold-blooded and I can walk past a drowning man. If I have someplace else to go, well, tough s**t. I could do that. I can. Have. Sometimes, not because I was callous but had to do it.

My father combined many of the elements that were feared in the culture, but also he was a warm figure, a figure we needed. We depended on him to give us a little bit of strength and courage.

Do not fall asleep in your enemy's dream.

That's one of the beauties, I think, of African American life. There was this thing called slavery and adjustments were made. It literally destroyed millions, but it didn't destroy everybody and it didn't destroy the inner lives of all the people who experienced it.

I really love James Joyce, Dubliners and other work. And I was interested in the way the dash was used in English topography - in his work particularly - and I realized there was no compulsion to use those ugly dot-dot curlicues all over the place to designate dialogue. I began to look around, and found writers who could make transitions quite clear by the language itself. I'm a bit of a maverick now. I'm always trying to push the medium.

I really dislike it when people talk about "experimental," because any good writer is experimental.

I believe - what did Faulkner say? "The past is not even past."