I write every morning. Two hours. Then I take a break and become my own secretary for a few hours. If I am "hot" I write in the afternoon and at night too.

Oh, God, help me! And I walked faster, my thoughts pursuing me, and I began to run, my frozen shoes squealing like mice, but running didn't help, the thoughts to the left and right and behind me. But as I ran, The Arm, that good left arm, took hold of the situation and spoke soothingly: ease up, Kid, it's loneliness, you're all alone in the world; your father, your mother, your faith, they can't help you, nobody helps anybody, you only help yourself, and that's why I'm here, because we are inseperable, and we'll take care of everything.

You are nobody, and I might have been somebody, and the road to each of us is love.

Literary criticism is generally bunk. Nonsense. Usually based on self-serving post-intellectual bullshit.

Arturo Bandini: -What does happiness mean to you Camilla? Camilla: -That you can fall in love with whoever you want to, and not feel ashamed of it.

(...) I let go, crying and unable to stop because God was such a dirty crook, contemptible skunk, that's what he was for doing that thing to that woman. Come down out of the skies, you God, come on down and I'll hammer your face all over the city of Los Angeles, you miserable unpardonable prankster. If it wasn't for you, this woman would not have been so maimed, and neither would the world, (...)

We talked, she and I. She asked about my work and it was a pretense, she was not interested in my work. And when I answered, it was a pretense. I was not interested in my work either. There was only one thing that interested us, and she knew it. She had made it plain by her coming.