Look at the people who review. Look at their commitment to being "right" and "safe". If I had listened to my critics I would have given up years ago.

Listen closely. There’s a remote possibility that you might learn something: First, I don’t give a damn if my work is commercial or not…I’m the writer. If what I write is good, then people will read it. That’s why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don’t believe in yourself.

We talked, she and I. She asked about my work and it was a pretense, she was not interested in my work. And when I answered, it was a pretense. I was not interested in my work either. There was only one thing that interested us, and she knew it. She had made it plain by her coming.

Arturo Bandini: -What does happiness mean to you Camilla? Camilla: -That you can fall in love with whoever you want to, and not feel ashamed of it.

Ask the dust on the road! Ask the Joshua trees standing alone where the Mojave begins. Ask them about Camilla Lopez, and they will whisper her name.

When I go into a bookstore I always look for books by John Fante. If they are out-of-stock on one of his titles, I tell the clerk to order what is missing. I do it because I want people to read my father's work.

So what’s the use of repentance, and what do you care for goodness, and what if you should die in a quake, so who the hell cares? So I walked downtown, so these were the high buildings, so let the earthquake come, let it bury me and my sins, so who the hell cares? No good to God or man, die one way or another, a quake or a hanging, it didn’t matter why or when or how.