Sometimes you have to wonder if there isn't an ejector seat built into having a popular-music career. We were lucky when we started. We were already old when we started - you could have described our first album as "aging Brooklyn guys." We were in our late 20s. We weren't octogenarians, but a lot of bands were already younger than us. Fortunately, we've held on to our manly good looks.

I think that the most effective social protest that any artist can do would be things that come naturally and feel obvious. I think the Resist movement will continue among people who believe in science, who believe in rights for women, who believe in civil rights.

Bill O'Reilly knew he could just filibuster and enjoy all the airtime that a full interview would give him, and then also grab the sensationalist headlines that he enjoys creating. He used this as fodder for his show for weeks. I wouldn't want to be on the bad side of Bill O'Reilly. But then again, maybe I am now. By giving this interview.

It sucks to think about, honestly, but when you really consider the resources that it takes to press vinyl records, or the amount of gas that it takes to tour, it's really quite scary.

There have been times I wanted to cry on interview, but it hasn't been because that's what they're trying to conjure. No. I think you have to graduate to some higher level of TV IQ for people to actually want to see you cry.

There is a fact-based belief system available to you if you want to believe in facts. But this is the weirdest time. I mean, after Nixon I thought nothing could be weirder. Then there was Reagan, and after Reagan I thought nothing could be weirder. Then there was Bush and Bush's son, and it all just seemed like nothing could be a badder joke than George W. Bush. And now we're here. It seems to just yo-yo around, but hopefully we'll get to another level.

Between me and my wife, there's this joke where I'll be doing some fun interview, and I'll get off the phone and be like, "That guy was an idiot." A lot of times, interviews are like being asked a list of questions. Invariably, there will be this part where they think you're a writer for Letterman: "Just off the top of your head, tell me the 10 most influential bands on you." And you're actually asked to come up with a spontaneous list. It's like, "Dude, I'm not living in High Fidelity."