You're like, "I don't want to argue with Dr. Drew on national radio." You're like the invited guest. But at the same time, as a thinking person, it's very difficult just to stand by and go, "Yeah, man, it's cool."
John FlansburghThe simplest app on your smartphone requires 40 peoples' purest imagination. The challenges with people on environment, we just have to open some of that creativity. But I don't think it's necessarily about heating clouds or enormous chemical changes in the atmosphere.
John FlansburghI read The Onion, and I've read a lot of interviews that are very direct, often with people who are never direct. Which is interesting. But somehow the A.V.Club part of The Onion, I don't think is telegraphed into the popular culture.
John FlansburghThat's what I call 'Guiliani Time', my friends. 'We've got a problem. Let's kill it.'
John FlansburghSometimes people will ask a real "Why are you beating your wife?" question where there's some assumption built into it, and all you're trying to do is kind of re-contextualize it with some element of truth, and it comes across as incredibly defensive, or just really weird.
John FlansburghThe main thing that we're doing is thinking we can control anything, which is the biggest false assumption we can make. I think we can figure out how to tread a lot more lightly on the environment, and we'll be a lot better off.
John FlansburghFor instance, our music, They Might Be Giants, has this element of humor, which is probably the most uptight part of what we include in our music, because we're in part very self-conscious guys, and we want our music to stand up to the test of time, not just be visceral comedy records. We love humor and comedy, but there's this aspect to it that runs counter to what is included in most music.
John FlansburghSometimes you have to wonder if there isn't an ejector seat built into having a popular-music career. We were lucky when we started. We were already old when we started - you could have described our first album as "aging Brooklyn guys." We were in our late 20s. We weren't octogenarians, but a lot of bands were already younger than us. Fortunately, we've held on to our manly good looks.
John FlansburghIt's always interesting to me when one platform of media crosses into another. We've been on the Terry Gross show Fresh Air a couple of times, and I suddenly felt like we could actually represent ourselves as exactly who we are, in this sort of ultra-vivid way. But the weird thing to me is that the questions she asks are in some ways no different than the questions the guy from the high-school paper asks. She might even ask us where we got our name. But something about it, it's like the pH balance of the trajectory of the questions. Maybe it's just her voice.
John FlansburghBetween me and my wife, there's this joke where I'll be doing some fun interview, and I'll get off the phone and be like, "That guy was an idiot." A lot of times, interviews are like being asked a list of questions. Invariably, there will be this part where they think you're a writer for Letterman: "Just off the top of your head, tell me the 10 most influential bands on you." And you're actually asked to come up with a spontaneous list. It's like, "Dude, I'm not living in High Fidelity."
John FlansburghIf you're looking at the array of performers, there's just a lot of people that it's about getting closer to them. That's not really our focus. It's funny, with the kids' stuff, we really sell ourselves as the MC, but it's much more like we're Ed Sullivan than we're like Sting. We're just the presenters. And that's an idea that we're very comfortable with.
John FlansburghA lot of times I'll post things on Facebook, and the immediate response will be like, "Stick to the music!"
John FlansburghI think the biggest wrestling match-up I have is how to respond to the word "quirky." Or the alternate, "nerdy." Both are essentially benign to the reader, but if you're a writer just sort of involved in your creative process, they seem like very small motivations.
John FlansburghBeing in a band, a lot of times people think of what you're doing in terms of a competition. They talk about where you are professionally in your career, and all this other stuff. And if you're a lifer, you know it's going to be ups and downs. It's not like anybody is always just steady on.
John FlansburghI think that the most effective social protest that any artist can do would be things that come naturally and feel obvious. I think the Resist movement will continue among people who believe in science, who believe in rights for women, who believe in civil rights.
John FlansburghThis happened years and years ago, right as our videos were first being played on MTV. The interviewer said, "You guys are getting famous now. Are you going to be riding around in limousines, doing drugs, and sleeping with beautiful women?" And I was a precocious young man, and my snappy comeback to that cheerful question was, "We're willing to sleep with beautiful women." But no part of the question was in the article.
John FlansburghBill O'Reilly knew he could just filibuster and enjoy all the airtime that a full interview would give him, and then also grab the sensationalist headlines that he enjoys creating. He used this as fodder for his show for weeks. I wouldn't want to be on the bad side of Bill O'Reilly. But then again, maybe I am now. By giving this interview.
John FlansburghThat really sums up the strange bluntness that a really prime German interview can have. They're really interested in your cultural velocity in this way that I don't think people in the United States even necessarily think about alternative-rock bands. So it's not like we're against regular rock. We're not like a battling army shaking our weapons against The Rolling Stones.
John FlansburghWe're affable guys in They Might Be Giants. We're not gonna do the periscope-down thing, but it's a little bit mind-bending. The biggest struggle is trying to figure out a way to back up far enough in your answer that it can be read without the context of the question. Every declarative statement you see that comes out of an interview with somebody is actually in response to a question. So it's sort of like this very real interpersonal dance where one of the people involved is invisible.
John FlansburghHave you heard Alanis Morisette trying to play the harmonica? She doesn't know how to play the harmonica. Well guess what, Alanis, I INVENTED the 'don't-know-how-to-play-harmonica-harmonica-solo.'
John FlansburghActually, on a slightly more serious but kind of parallel level, I remember being on Loveline before both hosts ascended into loftier places in the culture. But I remember being shocked by Dr. Drew. He went into this extended monologue about how anyone with a baby voice is probably the victim of child abuse or has some daddy issue. As an intellectually curious person, all I could think is that there isn't any clinical evidence about that. But to be the guy wearing the doctor's hat on the radio and teaching everybody about this? It just seemed like a parody of good advice.
John FlansburghAny time having international interviews is a language barrier, you don't know how much you need to simplify what you're saying for it not to be damaged in translation. But culturally, there are some interesting phenomena. I get the feeling that the way rock music gets described in Germany, it is all like Rolling Stone circa 1975, taken to the 10th power. If you're a rock musician, you're part of the counterculture. Your music is like a critique of everything that is wrong with America.
John FlansburghWe want to be original. To express our most interesting stuff. But you don't see the word "original" come up very often to describe big bands. Our job isn't to pigeonhole ourselves or describe where we fit in. Our goal isn't to fit in. Our goal is to be free of all that stuff.
John FlansburghI don't lose a lot of sleep worrying about aliens, but I think it seems possible that there's life forms beyond our solar system.
John FlansburghIn Germany there's something about rock music much more political than it really is - like everything you were doing was an indictment of the American culture. I read an interview with one of the members of Sebadoh. He was saying he had just got back from touring Germany for the first time in five years or whatever, and one of the interviewers asked him, "Why aren't you still relevant?"
John FlansburghEvery declarative statement that comes out of an interview with somebody is actually in response to a question. It's like this very real interpersonal dance where one of the people involved is invisible.
John FlansburghThere's so many simple things that can be done to change our carbon footprint, and to reduce our carbon footprint.
John FlansburghIt sucks to think about, honestly, but when you really consider the resources that it takes to press vinyl records, or the amount of gas that it takes to tour, it's really quite scary.
John FlansburghIt's hard to tell a shallow person that they should care more about the feelings of the awkward and the alienated.
John FlansburghIf you do believe in science, you really have to actually stand up and make a stand for it. You can't just say, the facts aren't in. Science is always looking for better explanations to everything, but that doesn't mean that when we get on a plane we don't know what's supposed to happen next. And if it doesn't go the way that it's planned, that's a big, big problem. The culture wars are very tricky and make me a little sad.
John FlansburghSo we've done science songs. We've done historical songs. A lot of people would like us to do more historical songs. Our history record would probably be like the people's history of the United States, set to music.
John FlansburghI feel like musicians have such a precarious place in the political discourse, because musicians are, sort of just by nature, people-pleasers.
John FlansburghI guess the revival of vinyl records is not helping the environmental problem. Although, in some ways, people don't throw records away - I mean, I still have records from when I was 5. So it doesn't seem quite so wasteful. But maybe I'm just lying to myself.
John FlansburghYou have to define how much of a cultural politician you are as a performer. There are times where I just want to remain a civilian.
John FlansburghIn an interview John [Linnell] said, 'At a certain point you just get tired of the way the other person breathes,' and I took that pretty hard because I, personally, am infatuated with the way John breathes.
John FlansburghI don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
John FlansburghThere have been times I wanted to cry on interview, but it hasn't been because that's what they're trying to conjure. No. I think you have to graduate to some higher level of TV IQ for people to actually want to see you cry.
John FlansburghThere is a fact-based belief system available to you if you want to believe in facts. But this is the weirdest time. I mean, after Nixon I thought nothing could be weirder. Then there was Reagan, and after Reagan I thought nothing could be weirder. Then there was Bush and Bush's son, and it all just seemed like nothing could be a badder joke than George W. Bush. And now we're here. It seems to just yo-yo around, but hopefully we'll get to another level.
John FlansburghWhen we're on tour, probably we don't go 24 hours without someone asking us where we came up with the name They Might Be Giants. Which, on one level, seems like a completely legitimate question. If I think of other bands, like The Beatles, it would explain to me that John Lennon had a proclivity for slightly cheap puns. But I'm not sure how much insight that would give me into what's actually good about The Beatles' music.
John Flansburgh