I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.

I think an analogue synth is an extension of the natural world.

For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.

I don't have an extensive background in theory, but the amount of it that I've learned, I've applied, so I have a vocabulary of melodic and rhythmic relationships. And that's all theory is - it's symbols to help you identify those relationships.

It’s, it’s like I’m in the fourth dimension and somebody is asking me to describe it verbally and that’s what the fourth dimension is all about, is no words, no symbols, no images, all pure, real energy and vibrations. And, and if I thought about how cruel of a world this is, I would probably just commit suicide after a while, if that was what I spent my energy thinking about. I would definitely not have any strength left to create music.

All I know is that the six months when I recorded this music was the most productive time of my life, and I'll always remember it as the first time in my life that I ever felt like I was one with my dreams.

As long as you're excited about what you're playing, and as long as it comes from your heart, it's going to be great.