It’s, it’s like I’m in the fourth dimension and somebody is asking me to describe it verbally and that’s what the fourth dimension is all about, is no words, no symbols, no images, all pure, real energy and vibrations. And, and if I thought about how cruel of a world this is, I would probably just commit suicide after a while, if that was what I spent my energy thinking about. I would definitely not have any strength left to create music.

I'm also very impressed with the best people in experimental electronic world, like Peta and Eckart Aillers and Finez and Jim O'Rourke and Oren Umbarci and Francesco Lopez. Most of them use the computer as their main instrument.

Enclosure, upon its completion, was the record which represented the achievement of all the musical goals I had been aiming at for the previous 5 years. It was recorded simultaneously with Black Knights' Medieval Chamber, and as different as the two albums appear to be, they represent one investigative creative thought process. What I learned from one fed directly into the other. Enclosure is presently my last word on the musical statement which began with PBX.

Any guitar solo should reflect the music that it's soloing over and not just be existing in its own sort of little world.

The drive to create music that is pure is my highest priority. Sometimes I'll get extremely technical, and other times I'll just kind of go with the gods of music.

But for me if I'm gonna read about something I'd rather read a pamphlet or the instructions to a synthesizer than a book on Buddhism.

In the Chili Peppers I'm a part of that world in a pretty big world and that's just the way it is.