It is a gift, and you realize as soon as you cross the border into Paraguay, as I did, the first time in '82, that you are in a sort of wonderland. Nothing is quite right: the buildings, they've got their own architecture, their own language; and everything is just a little bit off key.

There is a whole genre of funny travel writers - that's very popular. There's Bill Bryson and people who follow that route and sell travel writing through making people laugh. It's a very difficult group to take. The line between comedy and mockery is sometimes a bit thin.

I am no apologist for Fidel's [Castro] regime. It is, after all, a totalitarian regime. So I would like to see that change.

I have a nice little idea from some people I met there who are now in their seventies, and I want to tell their story about the revolution through the eyes of musicians, in fact. The '59 Revolution. And what has happened to them since. It's very much a Cuban story. They haven't fared too well.

There are no young people who know how to debate, who know how to vote, and who know how to persuade people to vote. And you have seen this in Paraguay and they are reaping the harvest now of fifty years of dictatorship.

If you travel in countries like Morocco, and I say that because I have just come from Morocco, if people are shouting at each other in an argument, violence is not going to follow. That would be just so far removed.

It is a gift, and you realize as soon as you cross the border into Paraguay, as I did, the first time in '82, that you are in a sort of wonderland. Nothing is quite right: the buildings, they've got their own architecture, their own language; and everything is just a little bit off key.