My parents probably feel closer to the U.S. They feel America came to our rescue in the war and all that sort of thing. And for their generation the war still goes on. We still save food and little bits get scraped off and boiled out the next day.

What's fascinating is where they come from in the world. People in Bangladesh, a chap in a fire-base in Tikrit in Iraq. Chap in an Irish pub in Dublin. And lovely to think this literary network - or rather network of readers - is well spread out.

My parents don't think about Europe at all. The Continent is somewhere else. And they call it the Continent - to reflect, they are no real part of it.

What I really like about Cuba is that you can go into a local bar in a provincial town and you'll get jazz played at the highest standard - played often a cappella, or certainly with no amplification or whatever. Even if you are not knowledgeable about music, and I am not, you can find yourself really enjoying it.

Benedict Allen gives you the impression that he hasn't done any research at all, and I am sure he has. And when he is off doing his ice dogs and that sort of thing - and therefore its not only an exploration of the place but also his imagination in a sense. It's very successful as technique.

I am no apologist for Fidel's [Castro] regime. It is, after all, a totalitarian regime. So I would like to see that change.

I have real fears for Cuba based on the South American experience. Where you have had such a stern regime, as Fidel's [Castro], there is no culture of politics.