There are no young people who know how to debate, who know how to vote, and who know how to persuade people to vote. And you have seen this in Paraguay and they are reaping the harvest now of fifty years of dictatorship.

I have a nice little idea from some people I met there who are now in their seventies, and I want to tell their story about the revolution through the eyes of musicians, in fact. The '59 Revolution. And what has happened to them since. It's very much a Cuban story. They haven't fared too well.

What I really like about Cuba is that you can go into a local bar in a provincial town and you'll get jazz played at the highest standard - played often a cappella, or certainly with no amplification or whatever. Even if you are not knowledgeable about music, and I am not, you can find yourself really enjoying it.

The United Nations was the thing I wanted to work for. Like the United Nations Commission for Refugees is what I was interested in. And then people said if you do that you'll hit glass ceilings all the time, because you are not Ghanian or Nigerian and that's the way to progress though a multinational organization like that. In any event, they said do five years' legal experience and come back. And after five years I decided to stay where I was. So I am really an accidental lawyer.

I often think I would like to come even closer to home and write about somewhere like Wales, for example - which we in England tend to be a little snooty about. That's where the coal comes from and that sort of thing.

I realize how much [Mark] Twain fabricated things. I like it very much, but it's only half true. And it shows what he was trying to do, which was just entertain. Which he does very successfully, though the humor is almost dated now.

If you see our best seller list, most of them are books that are given as gifts. They are books you give to flatter somebody.