The noise that we can expect in the future will only increase and we'll be wishing for rural Portugal or something like that.

There is a very big difference between American and British travel journalism, and that's this whole business of the assisted or freebie trip. In Britain we are unashamed about any travel company paying for you to go and then writing about it. That's the only way we can do it. But I have tried the same in the States, and I can't write for any sizeable American newspaper because they tell you to do it on this basis.

Radio is very popular [in Britain], but it doesn't connect us in the same way. It seems to have this community function.

I have a nice little idea from some people I met there who are now in their seventies, and I want to tell their story about the revolution through the eyes of musicians, in fact. The '59 Revolution. And what has happened to them since. It's very much a Cuban story. They haven't fared too well.

There are no young people who know how to debate, who know how to vote, and who know how to persuade people to vote. And you have seen this in Paraguay and they are reaping the harvest now of fifty years of dictatorship.

The noise that we can expect in the future will only increase and we'll be wishing for rural Portugal or something like that.

There is a whole genre of funny travel writers - that's very popular. There's Bill Bryson and people who follow that route and sell travel writing through making people laugh. It's a very difficult group to take. The line between comedy and mockery is sometimes a bit thin.