Remember that time in the minivan, twenty minutes ago, when we didn't die?

At the end, we brought her to New York, where I was living, for a series of experimental tortures that increased the misery of her days without increasing the number of them.

Augustus: “You probably need some rest.” Me: “I’m okay.” Augustus: “Okay.” (Pause.) “What are you thinking about?” Me: “You.” Augustus: “What about me?” Me: “‘I do not know which to prefer, / The beauty of inflections / Or the beauty of innuendos, / The blackbird whistling / Or just after.’” Augustus: “God, you are sexy.” Me: “We could go to your room.” Augustus: “I’ve heard worse ideas.

Love is keeping the promise anyway.

I was thinking about the universe wanting to be noticed, and how I had to notice it as best I could. I felt that I owed a debt to the universe that only my attention could repay, and also that I owed a debt to everybody who didn’t get to be a person anymore and everyone who hadn’t gotten to be a person yet.

One of the pitfalls about writing about illness is that it is very easy to imagine people with cancer as either these wise-beyond-their-years creatures or these sad-eyed tragic people. And the truth is, people living with cancer are very much like people who are not living with cancer. They're every bit as funny and complex and diverse as anyone else.

One of the things I like about making stuff in the age of the Internet, is that people make stuff in response to it. You can see people respond to your work visually or musically or with writing.