See, popularity is complicated. You have to spend a lot of time thinking about liking; you have to really like being liked, and also sort like being disliked.

... she called it a paper town. Like, you know, everything so fake and flimsy.

No woman should ever lie about another woman. You've violated the sacred covenant between women! How will stabbing one another in the back help women to rise above patriarchal oppression?

The Side Effects of Dying in Your Pants isn't really funny… Alright, it's a little funny.

Much of my life had been devoted to trying not to cry in front of people who loved me, so I knew what Augustus was doing. You clench your teeth. You look up. You tell yourself that if they see you cry, it will hurt them, and you will be nothing but a Sadness in their lives, and you must not become a mere sadness, so you will not cry, and you say all of this to yourself while looking up at the ceiling, and then you swallow even though your throat does not want to close and you look at the person who loves you and smile.

Of course I tensed up when he touched me. To be with him was to hurt him-inevitably. And that's what I'd felt as he reached for me: I'd felt as though I were committing an act of violence against him, because I was.

How will I ever get out of this labyrinth!" In reality, "How will I ever get out of this labyrinth!" were probably not Simon Bolivar's last words (although he did, historically, say them). His last words may have been "Jose! Bring the luggage. They do not want us here." The significant source for "How will I ever get out of this labyrinth!" is also Alaska's source, Gabriel Garcia Marquez's The General in his Labyrinth.