We're not going to break anything. Don't think of it as breaking in to SeaWorld. Think of it as visiting SeaWorld in the middle of the night for free.

I felt tired for the first time, and I thought of us lying down on some grassy patch of SeaWorld together, me on my back and she on her side with her arm draped against me, her head on my shoulder, facing me. Not doing anything--just lying there together beneath the sky, the night here so well lit that it drowns out the stars. And maybe I could feel her breathe against my neck, and maybe we could just stay there until morning and then the people would walk past us as they came into the park, and they would see us and think that we were tourists, too, and we could just disappear into them.

There are infinite numbers between 0 and 1.

I leave, and the leaving is so exhilarating I know I can never go back. But then what? Do I just keep leaving places, and leaving them, and leaving them, tramping a perpetual journey?

It is saying these things that keeps us from falling apart. And maybe by imagining these futures we can make them real, and maybe not, but either way we must imagine them. The light rushes out and floods in.

The ideas of directing attention outward, trying to imagine other people complexly, trying not to see myself as the center of the universe - these concepts have become important to me, and I hope they're at work in my life on a minute-by-minute basis.

Writing fiction is an inherently political activity because people-even imaginary ones-do not live in vacuums... From Twilight to Romeo and Juliet to The Little Mermaid, no work of the imagination is truly apolitical, because the world and our hopes for it are always part of our stories.