There's a place in the brain for knowing what cannot be remembered.

I am in the midst of a soliloquy! I wrote this out and memorized it and if you interrupt me I will completely screw it up,' Augustus interrupted. 'Please to be eating your sandwich and listening.

I don't believe in prom,' I reminded her as she rounded a corner. I expertly angled my raisin bran to accomodate the g-forces. I'd done this before.

You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance, little kids figuring out how to be alive, how to navigate a world that wasn't made for them by navigating a playground that was.

I hope we get pulled over, he says. I'd like to see how the cop responds to a black man wearing a Confederate T-shirt over a black dress.

The challenge is the same whether or not I'm collaborating: to empathize with your reader and to tell a story that will matter to him or her. But the mechanics of going about that challenge change when you're collaborating, because you have someone to help refine your thinking and expand your vision of what might happen.

One of the jobs of a writer is to add nuance and ambiguity to that straight line that people often draw to very specific kinds of heroism. Most of us don't get to be Snooki. For most of us heroism has to be in our everyday lives.