Scared isn't a good excuse. Scared is the excuse everyone has always used.

But before we can radically reshape the world, we need to shop.

Neither novels or their readers benefit from any attempts to divine whether any facts hide inside a story. Such efforts attack the very idea that made-up stories can matter, which is sort of the foundational assumption of our species.

Yeah, so if that guy can make it in drunk, surely we can make it in sober. I mean, we’re ninjas.' 'Well, maybe you’re a ninja,' I said. 'You’re just a really loud, awkward ninja,' Margo said, 'but we are both ninjas.

That is the fear: I have lost something important, and I cannot find it, and I need it. It is fear like if someone lost his glasses and went to the glasses store and they told him that the world had run out of glasses and he would just have to do without.

Colder by the hour, more dead with every breath.

Given the final futility of our struggle, is the fleeting jolt of meaning that art gives us valuable? Or is the only value in passing the time as comfortable as possible? What should a story seek to emulate, Augustus? A ringing alarm? A call to arms? A morphine drip? Of course, like all interrogation of the universe, this line of inquiry inevitably reduces us to asking what it means to be human and whether—to borrow a phrase from the angst-encumbered sixteeen-year-olds you no doubt revile—there is a point to it all.