Big cities are chaotic. And chaos for humans - who have experience from their ancestors - is the last step before conflict. So, in the park, every kind of visual contradiction has been eliminated.

Walt had a marvelous intuition. And because he understood people very well, liked them and had great respect for people, there was nothing cynical about Walt.

Nobody now is going from department to another department. Only Walt did that. I was very fond of him, really.

Even in China. Children there, next to the Great Wall, who had never seen Mickey Mouse responded. So the studio did have that skill to communicate with images.

Now people don't know what it was in the Paris version, they put the skeleton at the end, not at the beginning. At least they've learn something!

Mickey is one of the prime examples: Mickey has never been suspected of being an American export. It was deja vu. They gave him a local name and he's been accepted everywhere he goes.

I helped develop Disney's) special effects department at that time, which helped very much when we worked on "20000 Leagues under the Sea"