I have wanted to be a fine artist painter, and I reached the point in art schools were I'd like to understand more about images and how images communicate information to people. And I was not getting very far in that from my professors.

We've achieved this feeling, for instance, with the colors. The colors in the park are harmonious with each other, not like in big cities where they don't.

What happen to the pirates we are supposed to see? Then we go down the chutes, and it's where the pirates were. But they're all gone. There is nothing but skeletons down here!

Walt's idea was that - as soon as the people who were dining got through their main course. They were supposed to all be seated, served at the same time, when they got into the dessert.

I did what we call dry for wet effects, some of the miniatures work and two animation sequences.

Nobody now is going from department to another department. Only Walt did that. I was very fond of him, really.

I helped develop Disney's) special effects department at that time, which helped very much when we worked on "20000 Leagues under the Sea"