By the time I was writing the second book, my life had changed rather dramatically, thanks to the intervention of television, and I needed to find a way to discuss that. Otherwise the big, fake book would not be true on some level.

That catharsis is really the core of the incredibly personal comedy of Louis C.K. or Marc Maron or whatever. And look - I find it fascinating that I'm sitting here talking about some of these things, and not to low tones, and my kids are in the other room. I have to trust that if they hear what I'm saying and they have questions about it, I'll be able to answer it, and that's fine. But that's part of the scariness of it - the reality of opening up my own life and my own feelings.

The very idea that there is no truth, but only the filter of narrative through which truth is invented is something I learned at the feet of the most leftist professors at Yale and am learning again from Sarah Palin during the Vice Presidential debate, and I find that very disorienting.

Here's the thing: I am not only a creature of civilization, I'm an asthmatic person. I will only live so long as I have stockpiled the proper inhalers. I'm effectively a cyborg. You know how in Jurassic Park, they bred those dinosaurs with the lysine deficiencies, so if they ever got off the island, they'd die? That's me.

I navigated the world as a hedge maze of constant fear and worry in which I might take the wrong turn and jeopardize the love of everyone around me and everyone on Earth. That's what I needed in order to survive.

I actually own a copy of my own book; that's how dedicated I am as an author.

I do not think that a museum needs to engage with pop culture in order to make itself interesting to museumgoers. Museums are already interesting and engaging with pop culture for its own sake is just a quick way to seem and become dated.