Lies are just another kind of storytelling, but with the very distinct and enlivening motive of desperation. Since writers are by nature desperate creatures, they usually do a pretty good (or pretty awful, but always interesting) job of lying.

One of the things about crowd work that's so exciting is when you discover a character in the audience who's interesting or funny, who you can vibe off of. If someone's got a weird job that you can make reference to throughout, or you can bring that person onstage - humiliate them, or celebrate them! You can put people in conversation with one another. The best is when something that they're doing can reflect back on something that you're doing.

My whole creative career is a product of the Internet. ...I'll take that back. To some degree. My fascination with cultural esoterica and trivia and so on was well-formed long before I got my first AOL account.

I think for the foreseeable future, the truth is going to be awful and funny all at the same time.

Just because you see an iceberg does not mean that there isn't global warming.

Even the worst job has its benefits and so does being a professional literary agent, and - I know I said this at the time but I still believe it - the worst job is the one that you know is wrong for you, but you still do it. You're afraid to quit.

The reality is that there is an enormous value to gut-check instinctive decision-making in the world that is not hampered by reams and reams of research and complexity.