I had some very, very fond memories of the people I worked with and the authors I worked with - and I won't mention any names - but as I have been traveling through rural Maine over the past few weeks, one of my favorite things to do is to go into bookstores on the side of rural routes and paw through the old copies of Tom Clancy and Trevanian books they have in there for weird old 1970s thrillers that I haven't read yet.

Everyone feels like they would love to be a really cool bartender in a really cool bar, but you're still surrounded by people who want to destroy themselves with alcohol. When you look at it that way, it's not that much fun.

I realized that even in a world of proliferating media venues, online and in print, and on TV and on countless cable channels, the idea that I could be considered an expert on chronic knee pain was I think troubling for society, but very exciting for me.

I never stopped feeling abject terror until I got on television and went on a national ad campaign and realized, "I will be able to feed my children. I have somehow averted the destiny that awaited me, which is endless, crippling debt forever."

From a very selfish point of view, I'm enchanted by the idea that a politician can come along and speak simply and clearly and truthfully to an electorate as though they are grown-ups and to feel the electorate respond to that.

The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.

I would say 70 percent of people who are in therapy are in therapy not because of their upbringing, not because of their mean sister or obsessions, but because of anxiety brought about by lack of financial security.