When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it.

I thought ['Sailcloth'] was a terrific script. Elfar Adalsteins, the director, is bound to be a director we'll hear from, and the whole thing was really enjoyable.

When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it.

I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the film-makers come from, it's where they start and sometimes its where they should have stayed.

Each day, as you get older, there is a new perspective on life. It's a progression of some sort.

We all have our limitations.

In anything really, it's finding the reality. You can't be 'real,' but you can create a reality. And that created reality is what the audience believes in. And that's essential. Because if the audience doesn't believe that, they're never going to trust you. And if they don't trust you, you can't lead them up the mountain.