Life," Garp wrote, "is sadly not structured like a good old-fashioned novel. Instead an end occurs when those who are meant to peter out have petered out. All that is left is memory. But even a nihilist has memory.

What is hardest to accept about the passage of time is that the people who once mattered the most to us wind up in parentheses.

I always know more about the ending, even the aftermath to the ending, than I know about the beginning. And so there's a construction that works from back to front.

In an episodic treatment, such as a teleplay is, you have the ability to do what you can do in a novel, which is flash back and flash forward in the same instant, in the same scene, in the same voice.

I have no respect for the right-to-life position. But when you legislate personal belief, you're in violation of freedom of religion. The Catholic Church may espouse its opinion on abortion to the members of its congregation. But they are in violation of separation of church and state when they try to proselytize their abortion politics on people who are not Catholics.

I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.

If I have any advantage, maybe, as a writer, it is that I don't think I'm very interesting. I mean, beginning a novel with the last sentence is a pretty plodding way to spend your life.