Although in society in general, the idea of an Irish composer of 'classical music', or whatever you want to call it, is still a strange item, generally speaking. Even in the arts, among our fellow creative artists in other disciplines, you still feel slightly out of it.

Although in society in general, the idea of an Irish composer of 'classical music', or whatever you want to call it, is still a strange item, generally speaking. Even in the arts, among our fellow creative artists in other disciplines, you still feel slightly out of it.

For me, the measure of a poem is the word, not the line.

One would always like things to get other performances. With the lack of publishing here it's almost impossible to have an orchestral work done abroad because people simply don't know they are there.

For me, poetry has no point in existing if it's not to be a prompt or aid to political and ethical change.

If you stand back and look at it in a global sense you'll find this [Irish people in music] was happening everywhere. Which is just another example of a wave of artistic endeavour that changes. It reaches a certain point, learn from what its done and move on. We seemed to have picked up on that.

Without style, there can be no identity.