I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.

I don't want my kids to ever think that I am choosing my job over them.

One of the best lessons I've ever gotten in my life is to anticipate nothing because it's always worse in your head than it really is.

If you did go to high school and then college, there's definitely a solidarity with someone that is from your hometown and knows your mom, and all that stuff. There's this weird politeness that we have, as a society. You don't want to make it hard for anybody.

I was extremely lucky to get this project [Brief Interviews with Hideous Men]. It was one of those things that I worked on in college. A friend of mine asked me to do a stage reading of that book and I was just completely blown away because, at that point, I was like, 'Acting's having fun with your friends and making people laugh.'

I've never been compared to Bugs Bunny and that's amazing, thank you.

It's a great wake-up call for our entire industry: What movies are we making? What storytellers are we allowing to tell the stories? What people are we allowing to be cast in those stories? I think we need newer stories, and more people given the opportunity to do anything they want.