I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.

I think it's a big chance to take to make a movie that's about as something as pure and honest and something people can relate to everyday.

All the cliches are true about parenting. All I've ever wanted to do is be a father, but there's this existential mirror that's held up when you have a kid.

We live in a very modern age and the dynamic of raising kids and being a professional are intersecting a lot more - especially for women.

Keeping it real is the key and I don't know how they've done that week after week. I think the key is that everybody can sort of empathize with [The Office].

I'm sure there's pieces of me in all the characters I play.

There's not swelling music and emotional scenes in life, and there's not long pauses when you tell a joke for everybody to laugh. That's not how it goes. Life just sort of happens to you.