I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.

You should know the ins and outs [of the marriage]. So it was nice to see a little bit of background.

I think there's a part of us that would like to use the fact that we're married, but you don't want the idea that we're married to overshadow the project itself.We're just looking for something that's so specific and good that it becomes a part of the story of why we did it rather than when we go to do press it's, 'Oh, my God, you're married and that's the only thing we want to talk about.' If we can merge both, that could be great.

I love to have the people watching [The Office ] just because it's fun to have people watching, but our fans are so dedicated, so smart and so cool for the most part. We don't have these fans that overwhelm you if they see you on the street. They're like, 'Love the show', or 'What an idiot. You should have said something to her last week.' I'm like, 'I know.'

Truly, when I say the show has given me everything, it's given me everything.

[George Clooney] knows exactly what he wants and so he knows that you've done a good job before you do.

If you did go to high school and then college, there's definitely a solidarity with someone that is from your hometown and knows your mom, and all that stuff. There's this weird politeness that we have, as a society. You don't want to make it hard for anybody.