Richard Jenkins read the script [The Hollars] and really liked it, but he said, 'If you can get Margo Martindale, I'll do it. Otherwise, good luck.

There's the push and pull you put on yourself and the push and pull the world puts on you. Most of the time, the world's going to win out, because it's just logical that you should be more successful and more motivated. You can always be more.

The idea of family is really one of the only things we can all say we have and we can't run away from. Whether you like your family or not. Whether it's complicated or not, there's something - call it spiritual, call it existential, whatever - that's in you.

I'm a sap, I'll cry at anything. But I don't cry when I feel manipulated, or when there's a music cue telling me to.

Being funny is one of my greatest strengths. I can make girls smile when they're down, and when they're having a good time, I can carry on the joke.

I'm sure there's pieces of me in all the characters I play.

I think there's a part of us that would like to use the fact that we're married, but you don't want the idea that we're married to overshadow the project itself.We're just looking for something that's so specific and good that it becomes a part of the story of why we did it rather than when we go to do press it's, 'Oh, my God, you're married and that's the only thing we want to talk about.' If we can merge both, that could be great.