Plot does not simply move with time, but spreads out conceptually in metaphorical space.

What a strange thing it is to recognize a sound like the shriek of a wounded animal, when you've never heard the shriek of a wounded animal.

Obscenities are too often used for shock value, as a kind of shorthand for real expression of emotion. You've got to scale down your monstrosities. A scream is not a discovery.

A short story is a writer's way of thinking through experience... Journalism aims at accuracy, but fiction's aim is truth. The writer distorts reality in the interest of a larger truth.

Sometimes, in that darkness, there is a single act of love, some selfless gesture, an aspiration, and we see that it's not been all waste, all hopeless, and we can ... well ... go on.

Plot does not simply move with time, but spreads out conceptually in metaphorical space.

You must get beyond divertissement, sketch, anecdote, the interesting moment. You must get to the mystery of human personality. What is the line of the story that leads us to a point where we see or intuit something we haven't before?