Plot does not simply move with time, but spreads out conceptually in metaphorical space.

You must get beyond divertissement, sketch, anecdote, the interesting moment. You must get to the mystery of human personality. What is the line of the story that leads us to a point where we see or intuit something we haven't before?

Our salvation never comes in the form we would have chosen.

Sometimes, in that darkness, there is a single act of love, some selfless gesture, an aspiration, and we see that it's not been all waste, all hopeless, and we can ... well ... go on.

Obscenities are too often used for shock value, as a kind of shorthand for real expression of emotion. You've got to scale down your monstrosities. A scream is not a discovery.

Uninvited criticism is insult.

Nothing on earth in fiction is less interesting than characters under the influence of alcohol.