I wrote as a teenager, and once I started acting, you know, you're learning lines, you're doing other people's words, it takes up a lot of time. Especially if you're dedicated to what you're doing, you're trying to do a decent job at it. But I would have said to myself, "Write more, please."

It's amazing being a member of perhaps the last analog generation - being born in the late '40s, growing up in the '50s and '60s, when it was still a very analog world. And in New Orleans those days, the country was just next door, as it were. You didn't have to travel miles and miles to get out in the woods. There's tons of fishing, obviously, in New Orleans, and tons of hunting. That was part of the cycle of life, to get fresh meat from the butcher or go duck hunting and get it yourself. It wasn't malicious or insensitive. It was just there, and you used it.

I began my career in Los Angeles and started working fairly quickly.

I was a French Quarter rat from the moment I could get on a bus by myself and go to the French Quarter. I played music most of my early life and it just seemed that to entertain people was a really good thing to do.

If 50 percent of your career is not filled with failure, you're not really successful.

You take jobs so much of the time when you don't need to necessarily work for a living, but it becomes important who you are going to work with.

The only thing I haven't done as an actor, other than Thai puppet theater somewhere, is act on a Broadway stage.