I don't celebrate birthdays much, except for decade-wise. It's not a really big thing.

Good acting comes from finding the essence of a character.

I collect books, primarily first-edition 20th-century fiction.

When actors get pigeonholed, that's their own doing to a large degree. Because if you do something that people like, obviously they're going to ask you to do it again. It's up to you to say no. If you're that insecure about working, you'll probably do what you're known to do.

Samuel Beckett is the person that I read the most of - certainly the person whose books I own the most of. Probably 800 or 900, maybe 1,000 books of just Samuel Beckett. By him, about him, in different languages, etc. etc. Notebooks of his, letters of his that I own, personal letters - not to me, but I bought a bunch of correspondence of his. I love his humor, and I'm always blown away by his syntax and his ideas. So I keep reading those.

I wrote as a teenager, and once I started acting, you know, you're learning lines, you're doing other people's words, it takes up a lot of time. Especially if you're dedicated to what you're doing, you're trying to do a decent job at it. But I would have said to myself, "Write more, please."

I began my career in Los Angeles and started working fairly quickly.