It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.

I grew up in a completely bookless household. It was my father's boast that he had never read a book from end to end. I don't remember any of his ladies being bookish. So I was entirely dependent on my schoolteachers for my early reading with the exception of The Wind in the Willows, which a stepmother read to me when I was in hospital.

I mean, I'm in the business of storytelling, not message making.

Luck's just another word for destiny... either you make your own or you're screwed.

When it comes to recruiting people for the secret world, what the recruiters are looking for is pretty much what I had. I was unanchored, looking for an institution to look after me. I had a bit of larceny. I understood larceny. I understood the natural criminality in people - because it was - it was all around me. And I have no doubt there was a chunk of it inside me too. Once I found that identity, it took root in me. It exactly - it gelled with the world that I'd known in the past.

I was the British spy who had come out of the woodwork and told it how it really was, and anything I said to the contrary only enforced the myth. And since I was writing for a public hooked on Bond and desperate for the antidote, the myth stuck.

A good writer can watch a cat pad across the street and know what it is to be pounced upon by a Bengal tiger.