The monsters of our childhood do not fade away, neither are they ever wholly monstrous.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

Elections are a Western jerk-off.

Survival...is an infinite capacity for suspicion.

I think that most of my books are part of some process of self-education, often about the places I go to. Most of all, they are about the peculiar tension between institutional loyalty and loyalty to oneself; the mystery of patriotism, for a Brit of my age and generation, where it runs, how it should be defined, what it's worth and what a corrupting force it can be when misapplied. All that stuff is just in me and it comes out in the characters. I don't mean to preach, but I know I do, and I'm a very flawed person. It's quite ridiculous.

My definition of a decent society is one that first of all takes care of its losers, and protects its weak. What I see in my country, progressively over these years, is that the rich have got richer, the poor have got poorer. The rich have become indifferent through a philosophy of greed, and the poorer have become hopeless because they're not properly cared for. That's actually something that is happening in many Western societies. Your own, I am told, is not free from it.

We lie to one another every day, in the sweetest way, often unconsciously. We dress ourselves and compose ourselves in order to present ourselves to one another.