I like some time away to recharge the batteries, not only physically, but emotionally so that I get to the point where I'm just dying to direct again and then that's the right time to do it again.

I usually have to find something where I go, "I have to do this." Sometimes you don't even know what the question you're trying to answer is, but you go, "This is something I need to explore and want to explore, and it's inside me in a way that I think I can do a good job with."

I'm not only a writer, but have directed and produced, know the difficulties of the line producer, can deal with the studio, can talk with the director and get his or her vision and help exact that. I think it just gives you more tools.

I think any time you've got a story based on a true story, no matter how accurate it is, obviously it's still fictitious.

I've got twins and a lovely wife and a great life and I don't want to miss that. So if I'm going to miss that it's got to be for something really good.

You set out to tell a good story. You don't do it because there is a deep message involved because the movie is almost always bad when you do that.

Somebody might say that they always wanted to be a fly-fishing guide in Montana and maybe they'll never get to do that but just by the virtue of having said it out loud, I think there's some power in that.