I wasn't even in a theater because I guess nobody believed in me, so I was in the hallway of a theater on a platform that they would move so the main stage show could go on at eight o'clock and I'd be gone.

The more times you do something, the more likely it is you're going to get it wrong.

With kids, the days are long, but the years are short.

I walked around my apartment with food in my mouth asking myself: "How do I come up with this voice?" Then I found the voice. I called the director and said on the phone: "Guess who you're talking to Chris? Sid, that's right Sid!" And that's how I came up with the voice. That's a true story.

Rehearsals make a huge difference.

[Brad Furman] is incredibly collaborative, man. He's so respectful of talent, he has so much admiration for talent. He nurtures you, he lets you give input. Of course we'll debate if we disagree, that's just a healthy atmosphere to air your differences.

It used to be trained professionals doing animation and they were great. Now they have celebrities and famous actors doing the voices, but that does not always work. But I think this film turned out really well, partly because the three of us (me, Ray and Denis) are comedians who are used to doing solo acts and doing certain types of voices. The three of us are New York guys, we all came up the same way in the profession and we are all edgy and enjoy doing family movies. It was a good combination I think.