Most of the great directors I've worked with - De Palma, Spike Lee - like rehearsals.

We are taking our culture and suturing it to America. Like gum on the bottom of a shoe, we are not going to disappear. Unlike other peoples who totally assimilated, we are more interested in co-assimilation.

First I went to C.W. Post and I was a psychology and theater major and then I transferred to NYU's Tisch School of the Arts as a drama major.

I see the new Latin artist as a pioneer, opening up doors for others to follow. And when they don't open, we crowbar our way in.

It's been great, I have to dig deep for really raw emotions and at the same time I have to use my intellect to say the ridiculous medical jargon while acting and treating a patient and then I have to try to have a personality and emotions as well. So it is definitely hard work.

The difficulty of being a Latin kid, a Latin man in this country [U.S].

You just want to go off and be intuitive and wild, and that's what Bryan Cranston brings to the game.