I keep my kids out of the whole business entirely. Allegra and Lucas are five and six and I'm not interested in them doing any acting at all. I don't want my kids in show business. I keep them as far away from my work as possible.

The New York Times made you or broke you.

People can be anonymous when they go on blogs and say crazy things that they would never have the courage to say to your face.

I have a lot of heroes. I don't think people give enough of a tribute to their mentors. They try to act like they're spontaneous generations - they are faking liars.

Self-expression, to me, is something that you worked on, that you have mastered a skill to say something in the most artful way that you can. It's not just blurting stuff out and having verbal diarrhea.

I did 40 voices for Chris Wedge, the director of the first film, before coming up with the version we used. He was hard to please, I don't know why. I gave him really slow talking voices. then I thought perhaps Sid could be an Indian sounding sloth. To find out more about my character, I watched footage of sloths. I discovered that the food they store in their pouches rots and ferments and half the time they're drunk.

Very, that show is crazy. It was like doing finals every week. It was interesting. I really learned a lot. The dialogue is so technical. I was so impressed watching the other actors and how they managed, so I studied them. And I was blown away thinking: "How do they do that? How do they put that extra spin on the complicated dialogue to make it interesting?