I love his [Brad Furman] ferocious desire for perfection and his love of vitality, it feeds me, man. It feeds him and it feeds the whole crew. And he's got huge respect for talent. And that's why talent goes in and gives it 300% percent.

Self-expression, to me, is something that you worked on, that you have mastered a skill to say something in the most artful way that you can. It's not just blurting stuff out and having verbal diarrhea.

The beautiful thing about acting is that you can go your whole life if you stay current and you stay fresh.

My parents were incredibly strict, almost military style.

[Brad Furman] is incredibly collaborative, man. He's so respectful of talent, he has so much admiration for talent. He nurtures you, he lets you give input. Of course we'll debate if we disagree, that's just a healthy atmosphere to air your differences.

But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.

Definitely if you're an athlete, you're gonna be having all the baseball fame you can have. That's the great thing about baseball and sports. You can measure ability.