The difficulty of being a Latin kid, a Latin man in this country [U.S].

It was at a performance art space that's no longer around, Gusto House... All of these great performers from all over the country lived on the Lower East Side, and they would take somebody's living room that opened right onto the street, open the door and charge tickets and put up chairs.

Great acting is being able to create a character. Great character is being able to be yourself.

I was just school class clown and that was it. Someday I'll get a job as a cab driver or whatever.

But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.

I'd be terrified even now for a Latin kid wanting to be an actor, but back then? Forget it. They must have thought I was going to be working in restaurants and driving cabs for the rest of my life.

The New York Times made you or broke you.