Very, that show is crazy. It was like doing finals every week. It was interesting. I really learned a lot. The dialogue is so technical. I was so impressed watching the other actors and how they managed, so I studied them. And I was blown away thinking: "How do they do that? How do they put that extra spin on the complicated dialogue to make it interesting?

You just want to go off and be intuitive and wild, and that's what Bryan Cranston brings to the game.

We are taking our culture and suturing it to America. Like gum on the bottom of a shoe, we are not going to disappear. Unlike other peoples who totally assimilated, we are more interested in co-assimilation.

Some kids are fine, but often I don't like what I see in child actors. My kids are young and they are already showing an interest, so I have to try to discourage them, squash that in them.

I would be jokesmithing. I had files with tons of disses that I would try to write as I was on the train going to school.

It might have been really cool back in the '50s when it was less populated but I don't know.

Bryan Cranston has got such an incredible light touch. He comes in egoless, but with bold opinions, and he wants to play. He wants to play. And that's what I've seen in great actors all my life and what I've always tried to nurture and keep in myself is that joy of playing.