Creating the fictional background for a game world isn't significantly different from creating a background for fiction.

I long for the simplicity of theatre. I want lessons learned, comeuppances delivered, people sorted out, all before your bladder gets distractingly full. That's what I want. What I know is what we all know, whether we'll admit it or not: every attempt to impose the roundness of a well-made play on reality produces a disaster. Life just isn't so, nor will it be made so.

Well, it's an adventure story, and a Bildungsroman, of course, but there was also the intention to describe a culture that had been seen in rather narrow terms.

At one point I intended to write precursor and sequel novels, about the establishment of the Web and its next evolution, but I am very unlikely to now; they would take place in a different universe.

There are people who believe in an absolutely transparent prose; with every respect for clarity of expression, I don't.

I'm very happy that the New York Times has spoken well of my stuff; who wouldn't be? But it's not a choice I made.

We're not lost. We're locationally challenged