What needs my Shakespeare for his honour'd bones,- The labour of an age in piled stones? Or that his hallow'd relics should be hid Under a star-y-pointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name?

Into this wild Abyss/ The womb of Nature, and perhaps her grave--/ Of neither sea, nor shore, nor air, nor fire,/ But all these in their pregnant causes mixed/ Confusedly, and which thus must ever fight,/ Unless the Almighty Maker them ordain/ His dark materials to create more worlds,--/ Into this wild Abyss the wary Fiend/ Stood on the brink of Hell and looked a while,/ Pondering his voyage; for no narrow frith/ He had to cross.

O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!

There is no Christian duty that is not to be seasoned and set off with cheerishness, which in a thousand outward and intermitting crosses may yet be done well, as in this vale of tears.

Anon out of the earth a fabric huge Rose, like an exhalation.

The sacred influence of light appears.

... then there was war in heaven. But it was not angels. It was that small golden zeppelin, like a long oval world, high up. It seemed as if the cosmic order were gone, as if there had come a new order, a new heavens above us: and as if the world in anger were trying to revoke it.