I always loved the challenge. When something new happened, I always used to get quite excited.

I remember when I read Walter, for example, six years ago now, I said, "This is the role for me." I said that to my family. There was something there that I knew was absolutely right, and that was just based on the character. That's when gut instinct comes into play. I know there are certain things I won't do.

I think the glue that held Fringe together was the relationships.

I didn't drop into the mannerisms of another version of the character, but I guess I was pretty alert to that.

I don't know how I absorb things, but I do. I just absorb them. I don't over read the script, and I don't really ever spend much time learning it.

In Revelation 12, we see a pure, holy woman giving birth to a son - a corporate son who brings victory by the blood of Jesus, their testimony and sacrifice. My vision is to see that kind of church moving in the authority, the sacrifice and love of Jesus.

Walter is incredibly complex. I do a lot of thinking about the work I do, and try to get the rhythms of scenes.